My writing is located somewhere between the stringent formal constraints I place upon myself, demanding a high measure of diligence and accuracy in the scouring out of maximum expression within minimal forms on the one hand, and those stream-of consciousness methods and modes born out of mood and moment on the other hand.
All formal constraints sometimes yield remarkable results when paired with a certain mischeviousness...
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1 comment:
I'm curious about it. hypothesis is that each of us is apt to seize a certain type of charm, a perception of charm, i.e. in a gesture, a thought, even before the thought is signifying, a modesty, a charm that goes to the roots of perception... all the best
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