The "Pop" or American Haiku (Jack Kerouac)

"The American Haiku is not exactly the Japanese
Haiku. The Japanese Haiku is strictly disciplined
to seventeen syllables but since the language
structure is different I don't think American
Haikus (short three-line poems intended to be
completely packed with Void of Whole) should worry
about syllables because American speech is
something again...bursting to pop.

Above all, a Haiku must be very simple and free
of all poetic trickery and make a little picture
and yet be as airy and graceful as a Vivaldi
Pastorella." - Jack Kerouac, American Haiku (1959)


Thunder in the mountains -
the iron
Of my mother's love
- from Desolation Angels (novel, published 1965)


Arms folded
to the moon,
Among the cows.
- from: Book of Haiku (1968)


A quiet Autumn night
and these fools
Are starting to argue


In Haikkaido a cat
has no luck


Every cat in Kyoto
can see through the fog.


In London-town cats
can sleep
In the butcher's doorway.
- from The Northport Haiku (1964)


Early morning yellow flowers,
thinking about
the drunkards of Mexico


No telegram today
only more leaves
fell.


Holding up my
purring cat to the moon
I sighed.


Drunk as a hoot owl,
writing letters
by thunderstorm.
- from American Haiku (1959)


More examples of Kerouac's haikus can be found under:
Haikus by Jack Kerouac.

More about Kerouac and haiku under:
Pop! The Jack Kerouac Haiku Page

On Writing (Kerouac)

"Always considered writing my duty on earth."
- Jack Kerouac (1922 - 1969)

(from: Atop an Underwood. Early Stories and Other Writings (1936-1943), page vii, Viking, 1999, edited by Paul Marion)


"You, man must write exactly as everything rushes into your head and AT ONCE. The pain of writing is just that..."
- Jack Kerouac, letter to Neal Cassidy, 6 October, 1950

Quotationspage - Jack Kerouac

On the free flowing prose method of writing (Jack Kerouac)

It was at about the time that Kerouac wrote The Subterraneans that he was approached by Allen Ginsberg and others to formally explicate exactly how he wrote it, how he did Spontaneous Prose. Among the writings he set down specifically about his Spontaneous Prose method, the most concise would be Belief and Technique for Modern Prose, a list of thirty "essentials."

1. Scribbled secret notebooks, and wild typewritten pages, for your own joy
2. Submissive to everything, open, listening
3. Try never get drunk outside your own house
4. Be in love with your life
5. Something that you feel will find its own form
6. Be crazy dumbsaint of the mind
7. Blow as deep as you want to blow
8. Write what you want bottomless from bottom of the mind
9. The unspeakable visions of the individual
10. No time for poetry but exactly what is
11. Visionary tics shivering in the chest
12. In tranced fixation dreaming upon object before you
13. Remove literary, grammatical and syntactical inhibition
14. Like Proust be an old teahead of time
15. Telling the true story of the world in interior monolog
16. The jewel center of interest is the eye within the eye
17. Write in recollection and amazement for yrself
18. Work from pithy middle eye out, swimming in language sea
19. Accept loss forever
20. Believe in the holy contour of life
21. Struggle to sketch the flow that already exists intact in mind
22. Don't think of words when you stop but to see picture better
23. Keep track of every day the date emblazoned in yr morning
24. No fear or shame in the dignity of yr experience, language & knowledge
25. Write for the world to read and see yr exact pictures of it
26. Bookmovie is the movie in words, the visual American form
27. In praise of Character in the Bleak inhuman Loneliness
28. Composing wild, undisciplined, pure, coming in from under, crazier the better
29. You're a Genius all the time
30. Writer-Director of Earthly movies Sponsored & Angeled in Heaven

Some believed that at times Kerouac's writing technique did not produce lively or energetic prose. Truman Capote famously said about Kerouac's work, "That's not writing, it's typing." Despite such criticism, it should be kept in mind that what Kerouac said about writing and how he wrote are sometimes seen to be separate. According to Carolyn Cassady and other people who knew him he rewrote and rewrote. Some claim his own style was in no way spontaneous. However it should be taken into account that throughout most of the '50s, Kerouac was constantly trying to have his work published, and consequently he often revised and re-arranged manuscripts in an often futile attempt to interest publishers, as is clearly documented in his collected letters (which are in themselves wonderful examples of his style). The Subterraneans and Visions of Cody are possibly the best examples of Kerouac's free-flowing spontaneous prose method.

The above is part of a nicely done article under: Jack Kerouac - Wikipedia biography.

See also the following entries, where examples of spontaneous prose style are presented and elaborated:
The Subterraneans - Wikipedia entry,
Visions of Cody - Wikipedia entry.

Definition of a Poet (Jack Kerouac)

DEFINITION OF A POET (1941)

A poet is a fellow who
spends his time thinking
about what it is that's
wrong, and although he
knows he can never quite
find out what this wrong
is, he goes right on
thinking it out and writing
it down.
A poet is a blind optimist.
The world is against him for
many reasons. But the
poet persists. He believes
that he is on the right track,
no matter what any of his
fellow men say. In his
eternal search for truth, the
poet is alone.
He tries to be timeless in a
society built on time.

- Jack Keroauc (1922 - 1969.
Full name: Jean Louis Lebris de Kerouac.)

From: Atop an Underwood. Early Stories and Other Writings (1936-1943), page 122, Viking, 1999, edited, introduced and with commentary by Paul Marion.

Here's an excerpt from Paul Marion's introductory comments to the above poem, taken from page 121 of Atop an Underwood:

"To Kerouac, the poet was the ideal, the highest form of a writer, the artist-writer, of whom he wrote:

"Their use lies in being able to erect structures of thought for mankind."

He described Whitmaman as his "first real influence" and the reason he decided to hit the American road.

Young Kerouac experimented with poetry in all forms, but traditional verse forms did not suit him. In 1940 he explained why:

"I feel that the words are put backwards. I'd rather have simple prose-poetry, to the point, concise, and more digestible. Outside of that, poetry is sublime. Poets are happy people,because they too are sublime."

He later added a few original forms to the array of poetic forms, including the "pop", a three-line American or Western haiku without syllable restrictions, and the "blues", which he defined as "a complete poem filling in one notebook page, of small or medium size, usually in 15-to-25 lines, known as a Chorus, i.e., 223rd Chorus of Mexico City Blues in the Book of Blues."

Further stuff, by and about Kerouac, under:
audio files - Jack Keroauc recites, etc..
Dharma Beat.
Kerouac Alley.
Jack Kerouac - Wikipedia biography.

German links:
Kerouac - Encarta Biographie,
Kerouac - Wikipedia Biographie,
Kerouac - Lonesome Traveller Biographie.